Mamma Mia! Here We Go Again

Hollywood’s biggest musical marvel is back with a new wave of sporadically cringeworthy sing-a-long hits.

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After the loss of her mother, Sophie decides to pursue her mother’s dream and renovate her hotel into a magical haven, but not all goes to plan when some unexpected guests make an appearance at the grand opening.

Though it seemed quite possible that all the ABBA hits had already been exhausted in the first film, this new installment shows just how wrong an assumption that was, as the old songs are recycled to showcase new stories.

Despite Meryl Streep not taking the lead role in this latest film, the cast members, new and old, seem to make for an equally enjoyable presence onscreen, as their talent radiates throughout, with the likes of Cher and Andy Garcia being added to the already star-studded cast.

Whilst this film holds all the same promise as the first, it does somewhat disappoint in terms of the plot dynamic, which tends to create confusion in place of satisfaction. Donna’s (Meryl Streep’s’) death, for instance, is carelessly overlooked as no explanation as to how and or why is provided.

The Post

Uncomfortably accurate in this time of political unease.

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After the papers release incriminating documents regarding the government’s involvement in the Vietnamese war, President Nixon takes on The Washington Post in an attempt to stifle the freedom of the press in a lawsuit like no other.

Director, Steven Spielberg, manages to adapt this significant moment of journalistic history into a stark tale of government intervention which hits at the very core of politics today.

With Meryl Streep and Tom Hanks at the helm of this non-fiction escapade, the film is given a subtle sense of maturity that adds to the already beautifully constructed frenzy of the plot.

In essence, the film is a realization of the economics of journalism, which strives to serve the governed, rather than the government.